“Towards the end of the first decade of the twenty-first century”, as Anthony Gardner and Charles Green propose, “biennials became self-conscious.” Increasingly they are reflecting on themselves as „hegemonic machines“ (Oliver Marchart), and for this very reason also understand themselves as places of intervention. We have to come to terms with the fact that biennials today are both: „Brands and Sites of Resistance“, „Spaces of Capital and Hope“ (Panos Kompatsiaris).

This podcast is about withdrawals and protests as well as about interventions and strategies of appropriation of biennials in the second decade of the 21^st century. Protests in St. Petersburg, Sydney and New York shape the biennials they boycott. In Kochi, Athens, Dhaka, and Kassel we encounter curatorial projects that challenge the apparatus of value coding. The relationship between bottom up and top down often becomes blurred. In Prague, Warsaw, Kiev, and Budapest it is even reversed. Here biennials are used as a means of counter-hegemony and institutional survival.

Sounddesign: Julia Stolba