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Stichword-Archiv: dystopian

Art & the global environmental crisis: a discussion

The first stars in the Planetarium. Black Shoals Stock market planetarium by Lise Autogena and Joshua Portway, 2000 (Photo credit:... Artikel ansehen

The urgency of climate change and environmental crisis makes it necessary to ask ourselves what are the effects of our global networked system. Engaging in critical reflection on the implications of our actions as “agents”, as well as the role of state, institutional and financial structures in this process, seems more relevant than ever.

Through a praxis-oriented focus, we have drawn examples from T.J. Demos’ research into creative practices at the intersections of eco-critical thinking and art making, mainly from his books Decolonizing Nature, Contemporary Art and the Politics of Ecology (Sternberg Press, 2016) and Beyond the World’s End: Arts of Living at the Crossing (Duke University Press, 2020). We find these writings very timely, and particularly inspiring the thesis that “art, given its long histories of experimentation, imaginative invention, and radical thinking can play a central transformative role here. In its most ambitious and far-ranging sense, art holds the promise of initiating exactly these kinds of creative perceptional and philosophical shifts, offering new ways of comprehending ourselves and our relation to the world differently than the destructive traditions of colonizing nature”.

During this online discussion with T.J. Demos, we engage with contemporary issues of ecological sustainability and social justice, the fragile balance of politics and aesthetics, and the relevance of artistic practice in the context of global environmental crisis.

Art and the global environmental crisis: a discussion with T.J. Demos

Tuesday, March 2 at 19:15 CET (Leipzig), 20:15 EET (Athens), online

T. J. Demos is Patricia and Rowland Rebele Endowed Chair in the Department of the History of Art and Visual Culture, University of California, Santa Cruz, and Director of its Center for Creative Ecologies. He writes widely on the intersection of visual culture, radical politics, and political ecology—particularly where it opposes racial and colonial capitalism—and is the author of several books, including Beyond the World’s End: Arts of Living at the Crossing (Duke University Press, 2020), Decolonizing Nature: Contemporary Art and Political Ecology (Sternberg Press, 2016), and Against the Anthropocene: Visual Culture and Environment Today, (Sternberg Press, 2017). Demos curated Rights of Nature: Art and Ecology in the Americas, at Nottingham Contemporary (2015); Specters: A Ciné-Politics of Haunting, at Madrid’s Reina Sofia Museum (2014); and Beyond the World’s End at the Museum of Art and History, Santa Cruz (2019). In Spring 2020, he was a Getty Research Institute Fellow, and during 2019-21 directed the Mellon-funded Sawyer Seminar research project Beyond the End of the World. He is working on a new book on radical futurisms.

Moderated by reading group participants (Joachim Blank, Andrea Garcia Vasquez, Brigita Kasperaite, Eleni Michaelidi, Olga Vostretsova, Maria Zervoudaki and Magdalena Zotou), with the participation of Nikos Arvanitis, Fabian Lehmann and students of the program. A transcript of the discussion will be published later in 2021.

Artist Talk

video storyboard 1 video storyboard 2 video storyboard 3 video storyboard 4 Zurück Weiter Jonas Staal is a visual artist... Artikel ansehen

Jonas Staal is a visual artist whose work deals with the relation between art, propaganda, and democracy. He is the founder of the artistic and political organization New World Summit (2012 – ongoing) and the campaign New Unions (2016 – ongoing). He co-founded the New World Academy with BAK, basis voor actuele kunst, Utrecht (2013 – 16), he is currently directing the utopian training camp Training for the Future with Florian Malzacher (2018 – ongoing), and he is co-administrator of the Obscure Union with Laure Prouvost.

This artist talk was organized in conjunction with the first video screening of Climate Propagandas, Video Study, 2020 (HD color, sound, 16′), which was produced in the frame of the program post documenta: contemporary arts as territorial agencies.

Tuesday, 24 November 2020 at 18:00 Leipzig / 19:00 Athens, online

Climate Propagandas,
Video Study (2020)

The work Climate Propagandas, Video Study (2020, HD video, color, sound, 16′), explores how the climate crisis is interpreted and... Artikel ansehen

The work Climate Propagandas, Video Study (2020, HD video, color, sound, 16′), explores how the climate crisis is interpreted and weaponized within various ideological discourses.

While liberal climate propaganda argues that ecological collapse is the responsibility of human individuals, rather than extractivist corporations, libertarian climate propaganda considers the climate breakdown as a new resource for geomarkets and interplanetary colonization. And while conspiracist climate propaganda claims climate change is nothing but a hoax to enforce population control, eco-fascist climate propaganda takes it as an opportunity to double down on the question who, in ecosystem collapse, has the racial right to survive and who does not.

Through examples of popular and political culture, from the nature documentaries of David Attenborough to the Marvel superhero franchise, Staal attempts to dissect the conflicting realities each of these climate propagandas brings about.

Online Screening: Tuesday, 24 November 2020 at 18:00 Leipzig / 19:00 Athens, as part of the Artist Talk with Jonas Staal

Climate Propagandas, Video Study (2020) was produced in the frame of p o s t documenta: contemporary arts as territorial agencies

Disclaimer

Stichword-Archiv: dystopian

Art & the global environmental crisis: a discussion

Artist Talk

Climate Propagandas, Video Study (2020)

Climate Propagandas,
Video Study (2020)